
Remember the book review for
DON'T MAKE A SCENE by
Valerie Block we featured late in August? If not, go
back and check it out, it's definitely a good read. I mean, how can you surpass a book about a 40 year old movie buff who's had a rough time dating, keeping an apartment, and suffering a mid-life almost career crisis?
If you read the review, you will also note I had discovered Valerie and her writing long before
DON'T MAKE A SCENE arrived on the scene. And it delights me to have here here today! She's been kind enough to let me interview her... take a look!
Hi Valerie!
It is absolutely wonderful to have you join my blog for a day--and, let me add, read your latest book. Was a wonderful read, much like WAS IT SOMETHING SAID? (which I also enjoyed immensely). Not only could I not put
DON'T MAKE A SCENE down, but, well, it kept me up half the night with its little bits of personality and surprise twists and turns. Who couldn't love Diane? I mean--she either has luck or she doesn't. Or maybe she doesn't really know what she has does she? Anyway, that brings me to the *real* reason I'm loving to have you visit my corner of the Internet, it's interview time! :-)
Q: I'm a huge fan of the back story of novels. The who, what, when, where, and why you wrote DON'T MAKE A SCENE. Can you share a bit of that process with me? What idea sparked the entire evolvement of the story? Was it the idea of Diane as a character that came first, or the situation that she is in? A: I am a cinema addict from way back, and at some point, I noticed that I was thinking about the movies far more than I was actually going to the movies, and this surprised me. This got me thinking about how the movies shape and haunt us. I had a story that I wanted to tell, about a woman and a man who meet and -- unlike in the movies -- don’t just “click” instantly, and burst into song on public transportation. I thought it would be interesting to juxtapose this very mundane, anti-climactic story against whatever is glamorous about the movies, and it occurred to me that one of the characters could run a revival cinema. I figured that this would be the perfect excuse to see all my favorite old movies, during office hours, in the name of research. The book would be about what happens when the eternal allure of classic cinema collides with the daily indignities of contemporary life.
I started my daily screenings, and two things struck me immediately: first, almost anything that you do everyday, even if it’s pure pleasure, can become a bit of a chore. And second, although many films did stand the test of time, other films that were major works to me when I was younger, upon re-visitation, just
didn’t stand up. I found that interesting, how certain films can define stages in your life. And I thought I would “lend” that situation to Diane, the
cineaste, who by that time had become one of my main characters.
Q: What part of the book can you most identify with and why?A: Diane’s predicament really resonated with me. I’
ve been married for five years now, but for a very long time -- much longer than is generally recommended -- I was single. At the time I felt under siege from all sides, and I wanted to explore the idea that as a single woman, you have to be very well-defended just to get through your day without advice, criticism, pity, matchmaking services. And although I’d written about the absurdities of dating before (WAS IT SOMETHING I SAID?,
SoHo Books, 1998), I discovered that I had more to say.
Q: You have a wide range of characters in this book-- from the 40 year old Diane, various high school cinema workers, Dorothy and Estelle (let's just say seniors), to men of various ages (depending on which date Diane is recapping), Vladimir, Javier... and with each of them you have nailed the age group and mannerisms to a tee. Was this something that you intentionally did while writing the book (trying to capture the ages and differences and then having age such a huge plot point in the book overall) or was it something that just came naturally while writing? A: I try to get everything right! I want to “nail” the age, gender, race, religion,
socio-economic group, political temperament, taste in film, books, clothing, etc.
But yes, you bring up a good point: age is an issue, in the book, and in life. My husband has a theory that we use age as a way of establishing an immediate hierarchy when we meet people for the first time, as in, “I am older than you, therefore, taller and more important, too.” Human beings for some reason need to know where they stand in the hierarchy, even if it’s just people standing around at a party. And people have different expectations of you depending on your age. The aging actresses in the book, Dorothy Vail and Estelle
DeWinter, have the excuse that they are, or were, in the Business. But what about the rest of us? I think the current obsession with youth and youth culture, and the trend of using medical interventions to look more youthful is a kind of a First World collective mental illness.
Q: We all love movies (or I do). I am guessing with all the references you have throughout DON'T MAKE A SCENE that you are a movie buff yourself, like Diane. Is that true? Are you much like Diane and love some of the *older* movies better than current ones? Can you tell us your top 5 favorite movies? A: I adore the movies. I wonder sometimes why I
didn’t go into films instead of books, but there seemed to be so many barriers to entry when I was starting out as a writer. It also seemed like the writer was the smallest person in a film production, and I was not certain that I had what it took to direct. I thought it would be really frustrating to cede control of my work to someone else.
It was a joy to do the research for this book. I love good movies, no matter when or where they were made. My husband is always making fun of me for dragging him to Czech movies with Polish subtitles. That’s a joke, but barely.
Top five favorite movies? Five? I only get five? How about ten? Here’s a list, and it’s in no particular order. You can see that I have some favorites that are old, and some favorites that are quite current:
All About Eve (Joseph L.
Mankiewicz, 1950)
The Man Who Loved Women (
François Truffaut, 1977)
Spring, Summer, Fall, Winter … and Spring (Kim Ki-
duk, 2003)
The Lives of Others (Florian
Henckel von Donnersmarck, 2006)
Rear Window (Alfred Hitchcock, 1955)
Raise the Red Lantern (
Zhang Yimou, 1991)
Ninotchka (Ernst
Lubitsch,1939)
Crouching Tiger, Hidden Dragon (
Ang Lee, 2000)
A Touch of Class (Melvin Frank, 1972)
West Side Story (Jerome Robbins and Robert Wise, 1961)
Q: And, I ask this of all the authors that visit my site because it is just generally fun, if you could have any superpower, what would it be? Me, as I've said before, definitely MORE time. I'd love to control how much time I have (or stop it), so I could take care of the million things I need to get to each day.A: If I could have any superpower, I think I’d want the ability to control noise, as I seem to be acutely sensitive to it, and am paralyzed with annoyance on trains, in restaurants and even libraries, where people seem to feel it’s their right to yak on their cell phones with impunity and without volume control. Also: there’s a TV on, everywhere you go. I would like to be able to press mute on the world from time to time.
Thank you Valerie for your time and generosity of stopping by! I always love a good chat with an author and this is no exception. Happy writing and can't wait to read your next book!
Labels: author, blog tour, books, interview, reviews